

There’s no sense of entitlement about Betty, who’s at ease mixing it up with all types.

In the early short “Minnie the Moocher,” not included in the Olive package, what at first appears to be a yarmulke on her father’s head might instead by a bald spot.īut she is definitely the child of European immigrants, like Max Fleischer, who was a toddler when his family moved from Galicia to New York. Betty herself might be Jewish, although the Fleischers left this matter ambiguous. A number of handy creature-appliances prefigure the Stone Age innovations of “The Flintstones.”Īlong with pop-culture references (Al Jolson, Fanny Brice, Maurice Chevalier), the scripts are lightly peppered with Yiddish. Rube Goldberg-isms pop up, and mechanical things sprout hands and legs when needed, as when a boat climbs down a waterfall. Betty Boop shorts exemplify his studio’s deft mix of playfulness and surrealism, stripped-down simplicity and loose-limbed exuberance. The roster included Superman, Koko the Clown and Popeye, who made his first screen appearance in a 1933 Betty Boop cartoon.Ī seminal figure in animation, Max Fleischer invented Rotoscoping, a technique for frame-by-frame tracing of live-action footage.

And unlike the anthropomorphic critters at Disney, their characters were mainly of the humanoid variety. In the pre-Code days especially, the Fleischer brothers’ output stood apart from their competitors’ by targeting adults. She’s fully domesticated - although, intriguingly, apparently still single. No more strapless frock and exposed garter.
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And, because we're one of the largest retailers in the country, if we don't have it in stock, we'll be able to order it in for you.Though a number of the selections were made after the Motion Picture Production Code went into effect, only one demonstrates the full impact of the morality guidelines on the free-spirited Betty: In 1937’s “Foxy Hunter,” she’s a supporting player again, while the wholesome adventure of her little boy and puppy claims center stage. If you're looking to complete a particular costume, cosplay, or character look, the pros at Fantasy Costumes can get you into the the right wig to make that the best possible portrayal. Some examples are “Beatles” wigs, a Princess Fiona (from Shrek) wig, a Beetlejuice wig, a George Washington wig, a Dorothy (from Wizard of Oz) wig, an Edward Scissorhands wig, a Betty Boop wig, an Albert Einstein wig, a Julius Caesar wig, an Elvira wig, a Princess Leia wig, a Bride of Frankenstein wig, a Geisha wig, a Greaser wig, and various “hippie”, “surfer”, “clown”, “witch”, and historical period wigs, aside from standard hair styles in many colors. Not only do we have a wide array of “specific” wigs, but there are “general” hair styles for other looks perhaps not directly linked to the source material (such as a graphic novel as opposed to a movie). Of course, the right wig is usually the thing which “makes” a costume so picking the best wig is essential for creating a character. The sheer number and variety of wigs stocked is amazing … aisle after aisle in the store, and type after type in the catalog. While, over the years, it has greatly expanded to carrying over a million items in stock at its block-long store in Chicago, it has an expertise in wig styling unrivaled by anyone. With Fantasy Costume, you will never have a bad hair day!įifty years ago, we got our start selling wigs. Don’t forget to check out our classic wigs section to find a wide range of funny, sexy, and ethereal wigs to go with your classic costumes. So, if your little one wants those beautiful Cinderella locks to go with her princess costume, get the Cinderella Wig Child Size to accentuate that enchanted look. From mullets and bobs to pixies and afros, you will find different types of wigs to complement your outfit!Īt Fantasy Costume, you will find a wig for people of all ages and for all occasions including Halloween parties, film, events, or stage.
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